A subtle discipline pervades the music of Henri Dutilleux. For details on how we use cookies, see our. A Proustian preoccupation with the interplay of memory and time passing also recurs in several works. Although only 21 minutes long, the entire piece exudes a concentrated power belying its length, rather like dream time’s ability to subvert the clock’s rational measurement. It is in four movements, but these do not all conform to traditional types. The trigger to the composition was ticked off in 1995, on the half-century anniversary of the end of WWII and the discovery of the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. The composer reportedly tosses out a large amount of material in an attempt to mold as perfectly as he can the modest number of works he has published throughout a lengthy career. It also analyzes reviews to verify trustworthiness. His writing for orchestra is, however, completely assured. Memoire Des Ombres 1.13 The Shadows of Time: Interlude 1.14 The Shadows of Time: IV. Henri Dutilleux (b. At the same time, its alternation of violent, threatening gestures with textures almost withdrawn in their delicacy suggests a fundamental disquiet and sense of doubt that gives an edge to the composer’s gentle humanism and poetry. The catalyst was the half-century anniversary of the end of World War II in 1995 and of the … He has an affinity for the Flemish artists of the Northern Renaissance, composing with a shared sense of proud craftsmanship. 4:53. Setting the work in motion (“Hours”) is a fatalistic fanfare of brass, punctuated by percussion and strings, tracing a downward fall. ¿Hablas español? Find many great new & used options and get the best deals for Dutilleux: Symphony No. Henri Dutilleux - Boston Symphony Orchestra, Seiji Ozawa ‎– The Shadows Of Time Label: Erato ‎– 3984-22830-2 Format: CD, Album Country: France Released: 1998 Genre: Classical. 1, Tout un monde lointain & The Shadows of Time. Henri Dutilleux, Hans Graf, Orchestre National Bordeaux Aquitaine: Henri Dutilleux, Hans Graf, Orchestre National Bordeaux Aquitaine - Orchestral Works I ‎ (CD, Album, RE) Arte Nova Classics: ANO 807860: US: 2005: Sell This Version These thickly clotted lines of descent recur at several crisis points. There are several cadenza-like passages in this five-movement work, all of which are truly amazing in their beauty and virtuosity, but again, it's really the ingenious use of the orchestra to color, punctuate, highlight and occasionally juxtapose the solo cello line that makes this piece so impressive.Ludovic Morlot first met Henri Dutilleux in Boston in 2001 while the Boston Symphony was rehearsing The Shadows of Time (a work they commissioned). Great recording--except zero CD or track information, Reviewed in the United States on April 29, 2014. Dutilleux numbered as Op. 1 and closes with a live concert recording of Dutilleux’s late masterpiece, The Shadows of Time. 2, , ni bien sûr ceux de Rostropovitch lui-même, le créateur, Dutilleux : Tout un monde lointain - Lutoslawski : Concerto pour violoncelle. This site uses cookies to offer you the best possible experience. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. The symphony passed that test with flying colors, totally shredding without compromising the complexity and delicacy of the interrelationships Stravinsky weaves. 1 piano sonata in 1947-48. These new releases by the Seattle Symphony under Maestro Morlot are excellent. Memoire des ombres (Memory of Shadows) by Seattle Symphony - Topic. The melody suggests a Near Eastern modality mixed with the spirit of Gregorian chant. The recording here is from a live performance in Seattle at Benaroya Hall that really shows off how great this orchestra is, their renewed commitment to contemporary music and the passion that Morlot brings to music from his homeland --Q2 Music Album of the Week for May 12, 2014Prolific on disc during the late 1980s and early '90s, the Seattle Symphony returns to recording with its dynamic young music director, Ludovic Morlot, and a newly launched house label. Stream live events, live play-by-play NFL, MLB, NHL, college football, NCAA basketball, and Premier League matches. One of these items ships sooner than the other. Tracklist . Free shipping for many products! CNN, MSNBC, Fox News Radio, ESPN, BBC, NPR. Dutilleux’s music often presents a sensuousness of texture – a colorful garden of sounds so delicately cultivated that he often brings to mind a latter-day Ravel. Here he retains the four movement form of a traditional symphony, but one already hears many of the aspects of his music that make it so striking: vividly colorful orchestration, complicated rhythmic layering and creative takes on form. La troisième et dernière œuvre au programme est The shadows of Time (1995-97), une œuvre où les « ombres » sont celles de la seconde Guerre mondiale et où les voix d’enfants sont celles des enfants juifs exterminés (« Pourquoi nous ? Written in 1997 The Shadows of Time is a somber meditation on loss. Ariel Malefique 1.12 The Shadows of Time: III. Style: Modern. A must listen for those who wish to discover Dutilleux musical world. Dutilleux: Symphony No. The need for consolation is urgent, as signaled by the solo trumpet’s and trombone’s attempts to take lyrical flight. Please try again. Morlot and the Seattle Symphony speak Dutilleux's language and Phillips is the reference on record for Tout un Monde Lointain. The Shadows of Time is a somber meditation on loss. Vagues de Lumiere 1.15 The Shadows of Time: V. Dominante Bleue? And for all we know, this sound is exactly what the prescient composer had in mind in 1910-13 when he previewed the mad 20th century with these ballets. Dutilleux’s music often presents a sensuousness of texture – a colorful garden of sounds so delicately cultivated that he often brings to mind a latter-day Ravel. item 3 Henri Dutilleux : Symphonie No. The work unfolds in five “orchestral episodes” with evocative titles. “Evil Ariel” pits flickering divided strings against spiraling constellations in the winds for a scherzo of malignant energy, of which Ariel – a deformation of the serviceable spirit from Shakespeare’s The Tempest or one of Milton’s named demons – seems to be a herald. 1916), the elder statesman of French music today: The Shadows of Time (1997 -- 20'48) This is the superb original recording by the Boston Symphony Orchestra, led by Seiji Ozawa, from March 1998. Our payment security system encrypts your information during transmission. Great recording! ', Lots of things have been going right for the Seattle Symphony lately. There is a feeling that not a single note is out of place, and that the Symphony is unfolding in the real world exactly as Dutilleux imagined it. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Mood shifts dramatically as the piccolo intones a solo against deceptively childlike timbres from glockenspiel and vibraphone, leading directly into “Memory of Shadows.”. Their vocalise turns to repetition of the simple phrases: (Why us? --Steve Smith, New York Times, May 2014Prolific on disc during the late 1980s and early '90s, the Seattle Symphony returns to recording with its dynamic young music director, Ludovic Morlot, and a newly launched house label. The forte's of The Rite of Spring could only be described as a Seattle punk/grunge reading of the score, where the acoustic properties of Benaroya were put to the test, as if the symphony were one massive Fender Strat. Metaboles - Violin Concerto L'arbre Des Songes. We work hard to protect your security and privacy. A Proustian preoccupation with the interplay of memory and time passing also recurs in several works. The catalyst was the half-century anniversary of the end of World War II in 1995 and of the discovery of Anne Frank’s diary, and specifically a memory: the deportation by the Nazis to concentration camps of an entire orphanage of Jewish children. Dutilleux: Symphony No. Brief content visible, double tap to read full content. 2, the Shadows of Time CD ~RESEALED~ 3 - Henri Dutilleux : Symphonie No. Reviewed in the United States on May 19, 2014. © 2021 Los Angeles Philharmonic Association. Reviewed in the United States on November 16, 2014. A temple block marks the relentless tread of time with banal tenacity. The 31-year old Henri Dutilleux renounced all of his music written before his Op. The piece is rather short, around 20 mins, and composed of five “orchestral episodes” with evocative titles. Beau disque Dutilleux "made in Seattle", remarquable "Tout un Monde lointain", Demandez à un mélomane un peu âgé : le temps est loin, risque-t-il de vous dire en soupirant, où Charles Munch était en poste à Boston, Paul Paray à Detroit, Pierre Monteux à San Francisco, Pierre Monteux - the Complete Rca Album Collection, . There was an error retrieving your Wish Lists. 1; Tout Un Monde Lointain; The Shadows of Time (CD, Apr-2014, Seattle Symphony (Label)) at the best online prices at eBay! This page lists all recordings of The Shadows of Time by Henri Dutilleux (1916-2013). , ce disque entièrement consacré au récemment disparu (le 22 mai 2013), mais toujours aussi fêté Henri Dutilleux. Give Now, Composed: 1997Length: c. 20 minutesOrchestration: 4 flutes (3rd and 4th = piccolo); 3 oboes; English horn; 2 clarinets; E-flat clarinet; bass clarinet; 3 bassoons; contrabassoon; 4 horns; 4 trumpets; 3 trombones; tuba; timpani; percussion (crotales, glockenspiel, small Chinese gong, marimbaphone, snare drum, suspended cymbals, tam-tams, temple block, tom-toms, triangle, vibraphone, whip, wood chimes); celesta; harp; strings; and three children’s voicesFirst Los Angeles Philharmonic performance: September 30, 2005, Esa-Pekka Salonen conducting. Dutilleux calls this central episode the “heart” of the score, on which is written “to Anne Frank and all the children, innocents of the world (1945-1995).” He recounts a stroke of inspiration when he was searching for a “special color in the instrumentation” to contrast with the brass and wind timbres dominating the beginning and heard “some voices coming from a nursery school close to my studio.” The score specifies only “three voices of a child” – singing alternately in solo and together. This WEA/Elatus disc brings together three excellent recordings of orchestral works by Henri Dutilleux (b. This WEA/Elatus disc brings together three excellent recordings of orchestral works by Henri Dutilleux (b. » cryptically responds to the famous question (‘must it be?’) left by Beethoven on the score of his Quartet No. Henri Dutilleux : Oeuvres pour orchestre, Vol. Houles 1.8 Tout Un Monde Lointain: IV. Please try again. Morlot and SSO Bring Honor to and Fine Peformances of Henri Dutilleux (1916-2013), Reviewed in the United States on June 22, 2014. Mr. Dutilleux studied counterpoint, harmony and piano with Victor Gallois at the Conservatoire à rayonnement régional de Douai, where he graduated in 1933. His 1st Symphony followed in 1951, so it can be considered a piece of his early maturity. 1; Tout Un Monde Lointain; The Shadows of Time - Xavier Phillips, Ludovic Morlot, Seattle Symphony Orchestra on AllMusic - 2014 - The orchestral music of Henri Dutilleux is noted… Cellist Xavier Phillips' interpretation of Tout un monde lointain was praised by the composer, who remarked, '(he) fully owns this work and evokes the very essence of its title. A brief coda suggests a false resting stop as trumpets bleat with mutes. The interlude and “Waves of Light” episode move slowly up from the lower strings into the piquant winds, while the dominance of G-sharp verges on the obsessive. Dutilleux, celui qui fait se rejoindre climats baudelairiens et langue musicale héritée des musiques nocturnes du grand compositeur hongrois. HENRI DUTILLEUX: The Shadows of Time for 3 Children's Voices and Orchestra Drawing on Ludovic Morlot’s personal relationship with the great French composer, this disc opens with a virtuosic and sensuous performance of Symphony No. Dutilleux later wrote Mystère de l'Instant (for cymbalum, string orchestra and percussions, 1989), Les Citations (for oboe, harpsichord, double bass and percussion, 1991), The Shadows of Time (for orchestra and children voices, 1997), Slava's Fanfare (for Mstislav Rostropovich 's 70 th birthday, 1997) and Sur le Même Accord (for violin and orchestra, 2002 - dedicated to Anne-Sophie Mutter). Oui, sauf que : si Ravel est toujours un des compositeurs les plus joués aux Etats-Unis, qui pense à Louis Langrée, directeur de l’orchestre de Cincinnati et très applaudi à New York où il s’occupe du festival Mostly Mozart ? This meetup produced one of the best SSO performances I've heard in 20+ years of concerts...and hey, I was already a fan. An initial trio of recordings offers canonical French works and an eclectic American program, but the pick of the batch is this gorgeous, authoritative collection of atmospheric works by the late French composer Henri Dutilleux, whose moderate modernism and unassuming mastery Mr. Morlot has championed. Unable to add item to List. The Symphony No. Henri Dutilleux: The Shadows of Time, for 3 children's voices and orchestra - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. Listen to free internet radio, sports, music, news, talk and podcasts. All Rights Reserved. Among his other works, The Shadows of Time from 1997 commemorated victims of concentration camps. French composer of mostly orchestral, chamber and piano works that have been performed throughout the world. On one level, The Shadows of Time can even read like a symphony in miniature: with a forceful opening, demonic scherzo à la Berlioz, meditative slow movement, and enigmatic finale. Dutilleux: Symphony no 1, Tout un Monde Lointain, The Shadows of Time / Phillips, Morlot Dutilleux Release Date: 04/29/2014 Label: Seattle Symphony Catalog #: 1001 Spars Code: n/a Composer: Henri Dutilleux Performer: Xavier Phillips, Andrew Torgelson, Kepler Swanson, Benjamin Richardson Dutilleux’s Violin Concerto is an unhinged exploration of growth and regeneration, while the thrilling, experimental Second Symphony draws from the Baroque concerto grosso tradition. 1, The Shadows of Time, and Tout un monde lointain ("A Whole Distant World"), which despite the name is a cello concerto by any conceivable definition.Dutilleux's first symphony is among his earliest works, written in 1951 when he was only in his mid-thirties. The Shadows of Time is a somber meditation on loss. 2 "Le Double" / The Shadows of Time / Métaboles free online. 16 but also refers to the recognisably open-ended nature of Dutilleux’s composition. The Shadows of Time: III. Henri Dutilleux (1916-2013) was the outstanding French composer of recent decades, despite produced barely a dozen major compositions in a six-plus decade career. Visita nuestra página web en español. An initial trio of recordings offers canonical French works and an eclectic American program, but the pick of the batch is this gorgeous, authoritative collection of atmospheric works by the late French composer Henri Dutilleux, whose moderate modernism and unassuming mastery Mr. Morlot has championed. The touching directness here contrasts with the menacing moods elsewhere in the score. However, the recording appears to lack track information, so, if you are playing this CD in your car, you will not have any track information, for the track or for the recording. Full content visible, double tap to read brief content. Play Your Part, support the LA Phil. Miroirs 1.9 Tout Un Monde Lointain: V. Hymne 1.10 The Shadows of Time: I. Les Heures 1.11 The Shadows of Time: II. If you wish to add this CD to your iTunes account or Amazon Cloud Player, you will also have zero track information. It is Morlot's style to incorporate this sense of 20th/21st century music, electronic and grunge into his approach, but it wouldn't work so well if these impulses and passions didn't already reside in the hearts, fingers, lips, lungs and souls of the SSO's fine players. Editors’ Notes In this collection of ominous and brilliant large-scale works, Ludovic Morlot and the dynamic Seattle Symphony Orchestra unravel the French composer’s meticulous orchestrations. La troisième et dernière œuvre au programme est The shadows of Time (1995-97), une œuvre où les « ombres » sont celles de la seconde Guerre mondiale et où les voix d’enfants sont celles des enfants juifs exterminés (« Pourquoi nous ? Orchestre saisi par l’extase (« Miroirs »), violoncelle qui met en valeur le contenu expressif sans pour autant tirer l’œuvre vers un faux concerto romantique : une version qui marque. Les orchestres américains n’ont-ils pas à plusieurs reprises invité Lise de la Salle à jouer en concerto, ce qui n’arrive proprement jamais à Paris ? At the heart of The Shadows of Time is a movement called "memory of shadows" that includes music for three children's voices - an inspirational idea that came from Dutilleux's … I'm writing this in the aftermath of the Seattle Symphony Orchestra's June 21, 2014 precise and diamond-shattering propulsion of Stravinsky's gorgeous ballets, under the baton of Ludovic Morlot, though the frisky and cookin' musicians of the SSO could hardly have been held down by a Soviet hammer, let alone a conductor's baton. 1 his Piano Sonata (1946–1948), written for the pianist Geneviève Joy, whom he married in 1946. Yet they are false starts, and the unforgiving clockwork of the percussion returns, though in more sublimated form, as the entire orchestra tapers out on a repeated C-sharp. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. 1 - Tout un monde lointain - The Shadows of Time, an album by Henri Dutilleux, Xavier Phillips, Ludovic Morlot on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. 1 is an early work and the composer's first piece for orchestra. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit. --Steve Smith, New York Times, May 2014. Your recently viewed items and featured recommendations, Select the department you want to search in, $17.26 Shipping & Import Fees Deposit to Malaysia. 1916), the elder statesman of French music today: The Shadows of Time (1997 -- 20'48) This is the superb original recording by the Boston Symphony Orchestra, led by Seiji Ozawa, from March 1998. The Seattle Symphony intends to record the complete orchestral works of Dutilleux on their new label and they begin here with his Symphony No. Dutilleux: Symphony No. Reviewed in the United States on May 25, 2015. Cela tombe bien pour ceux qui n’ont pas la chance de visiter souvent cette grande et intéressante ville septentrionale de la Côte Ouest : le dit orchestre vient de créer, après d’autres, son propre label ; et on peut retenir, entre autres parutions. Listen to Henri Dutilleux Radio featuring songs from Symphonie no. Eventually the music sinks into the nether regions of the orchestra. Meanwhile, his Second Symphony had been commissioned and premiered by the Boston Symphony Orchestra and his work Métaboles, which Dutilleux called ‘a concerto for orchestra’ was premiered by the Cleveland Orchestra. The opening passacaglia movement captures all of this excitement as it progresses from barely audible string pizzicato to a massive swirling climax and then quickly fades off into the distance.Tout un monde lointain was written for Mstislav Rostropovich and performed here by the excellent French cellist, Xavier Phillips. , que de trouver la beauté de la ligne, la plénitude sonore et la caractérisation à peu près idéales avec Xavier Phillips (et parfaitement restituées qui plus est). アンリ・デュティユー(Henri Dutilleux, 1916年 1月22日 - 2013年 5月22日)は、フランスの作曲家。 フランス6人組よりもやや若い世代で、20世紀後半から21世紀初めにかけてのフランスを代表する作曲家の一人。 姓はデュティーユと表記されることも多い。 C’était aussi l’époque, pourrait-il bien ajouter, où on s’intéressait outre Atlantique à notre belle musique française ! An untitled interlude links the final two episodes. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Dutilleux, celui qui fait se rejoindre climats baudelairiens et langue musicale héritée des musiques nocturnes du grand compositeur hongrois. Why the star [yellow Star of David]?). The final episode’s indeterminate title (“Dominant Blue?”) is borne out by the faltering rhythms with which mirroring instrumental choirs continue to obsess over variant phrases from the children’s chanting. Your belief in the power of music to heal and transform makes our work possible. 22 January 1916, Angers – d. 22 May 2013, Paris). Composed between The Shadows of Time (1997) and Sur le même accord (2002), Pièce sans titre « Muss es sein? Henri Dutilleux: The Shadows of Time, for orchestra - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and … Help others learn more about this product by uploading a video! Find album reviews, stream songs, credits and award information for Dutilleux: Symphony No. 2, the Shadows of Time CD ~RESEALED~ $11.00 +$2.85 shipping In Petrushka, the background woodwinds and strings maintained a texture and rhythm one would expect from Steve Reich tape loops, not early 20th century compositions. Et qui suit le travail de Ludovic Morlot, né à Lyon en 1974, directeur de l’Orchestre de Seattle depuis 2011 ? Following an uneasy sustained glissando skid upward in the strings, the note A is urgently repeated high in the trumpets (where the episode began). There's a problem loading this menu right now. The arrival of a great new music director, Ludovic Morlot, who loves new music, a new commission that won the 2014 Pulitzer Prize and now they have launched their own record label with three releases focused largely on contemporary French and American music.Their freshman release is devoted to the music of the late French icon Henri Dutilleux (1916-2013). Dutilleux himself actually said that Phillips, "fully owns this work and evokes the very essence of its title." 1951, so it can be considered a piece of his early maturity,. Essence of its title. the reference on record for Tout un monde lointain his written... Information to others brief content to pages you are interested in for Dutilleux Symphony! Symphony under Maestro Morlot are excellent members enjoy free Delivery and exclusive access to,. Or track information, reviewed in the United States on May 19, 2014 to navigate back to pages are! 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